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Have Brits fallen for Netflix, or do they still LoveFilm?

Stream engine: Internet television in the UK

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Running the numbers

Oric, a community site for TV fans, reckons Netflix UK now has around 925 seasons of TV shows, compared to 589 on Lovefilm, while the Amazon subsidiary has roughly twice as many films available: 3284, compared to Netflix’s 1668. While Netflix broadly agrees with the TV figure, it disputes the film total - though it didn’t provide an alternative number. Statistics from Sky-owned Acetrax, which offers a film-by-film rental or purchase service, claim to offer around 2000 movies, with ten per cent of them available in HD.

These providers aren’t the only players in town, of course. Oric’s figures give Blinkbox 863 TV seasons and 3516 films. If you’re toting an iPad or an Apple TV, then you may well find that the iTunes Store, with 5250 seasons available in the UK, may be all that you really need.

Oric’s Richard Cappin told The Register: “It's starting to seem as if Netflix may be the weak player in the UK,” citing the US firm’s lateness entering the UK IPTV market and the ability of other players such as Blinkbox and Now TV to exploit the customer bases of their parent companies. “Blinkbox could be the one to watch”, he thinks, especially if it can take advantage of Tesco’s customer information and can improve its streaming quality.

When it comes to the latest films, both Netflix and Lovefilm still put in a poor showing. The majority of their films date from before 2010 - they generally get new releases when those films become available on DVD. Not so Sky’s Now TV, which provides access to films during their first ‘pay TV window’ - the time when they appear on Sky Movies - without tying punters in to a long-term subscription. Sky’s clout has enabled it to arrange exclusive deals with some film studios which could make it hard for other players to compete for the very latest releases.

That needn’t mean you’ll have to subscribe to Now TV. If the Ultraviolet system takes off, then you may be able to buy a film online, and stream or download it from services like Flixtser which support Ultraviolet’s ‘locker’ system. Blinkbox too is “absolutely committed to [the Ultraviolet] vision of giving customers access to their films when and how they want”, though it won’t say when it will make this happend for them. Now TV says pay-per-view movies, which were briefly available when the service launched last year, will be returning soon, with sports and entertainment content due to be added to the service as well.

Netflix

Netflix, socking it to Lovefilm?

Online TV doesn’t just have to be about the latest films and a back catalogue, though. In a move that sets it apart from the competition, Netflix has been commissioning productions too, with four set to launch this year. That includes a US version of House of Cards starring Kevin Spacey, described by the company’s Chief Content Officer, Ted Sarandos, as “a gripping story and new kind of viewing experience”.

From streamer to programme maker

It’s ‘new’ because the series, which will launch on 1 February, won’t trickle out an episode a week like traditional TV. Instead, the whole series will be available on day one, allowing viewers to watch week by week, or all in one go as they might a DVD boxset. Where programmes bought from TV networks or film companies are still licensed by country, the Netflix original productions will, differently, be global from the start, effectively demolishing all the concepts of regions and release windows that the industry has been clinging on to. It also flies in the face of how newspaper reviews and programme publicity like trailers are built around traditional ‘linear’ broadcasting.

With a revival of Arrested Development and two other original shows – thriller Hemlock Grove produced by Eli Roth and starring Famke Jannssen and Dougray Scott, plus prison-set comedy drama Orange is the New Black - also launching this year, and a second season of House of Cards due to enter production, it’s a bold move, and one that others in the industry are watching closely.

It’s early days for original content – four series a year for the £6 a month Netflix subscription is rather less than you get for your licence fee telly tax, after all – but it may yet encourage enough people to subscribe to allow even more content to be produced. That in turn may finally make studios and broadcasters rethink the they way they license their productions.

If 2012 was the year that IPTV services finally broke through into British living rooms, what of 2013? This time last year, the choice for most people was Lovefilm or Netflix. They may be the two that you’ll find on the largest number of devices, but they’re not the only games in town. And, regardless of the boasts, if it’s the latest films you’re after, then neither of those two will provide what you’re looking for.

That gap can be neatly filled for many viewers by services that don’t rely on a subscription, like Blinkbox, Acetrax, iTunes and – when it reinstates pay per view – Sky’s Now TV. These will often provide films that can’t be found on Netflix or Lovefilm, but they are integrated into far fewer devices than Netflix or Lovefilm are. None of these companies were prepared to share concrete plans about specific devices. Acetrax probably has the widest coverage on smart TVs; Blinkbox is on some; Now TV is too new, but thanks to its parent’s clout may well be the best place to get the latest movies.

So, for the time being, while there’s an increasing range of things available to watch via IPTV services, for many readers the biggest factor in what can watch may well be the kit you own. ®

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