Sony NEX-7 24.3Mp APS-C compact system camera
Review Sony’s NEX-7 is its flagship Compact System Camera that’s been graced with advanced features to justify the high-end price tag for a pocketable interchangeable lens model. Indeed this 24.3Mp APS-C shooter with a built-in OLED electronic viewfinder plus tilting LCD and full manual control, is certainly going to give some DSLRs a run for their money.
Pro appeal: Sony's NEX-7
DSLRs costing over a grand that is, as the NEX-7 18-55mm kit costs £1129 or £999 for body only. Considering that the NEX’s little brother, the excellent Sony NEX-5N, is on sale at half the NEX-7’s price, is its pro appeal worth the extra money? For a start, the NEX-7 is built almost entirely in black magnesium alloy and without question gives it solid, professional yet sleek look.
In contrast to most CSCs it sports a deep, ergonomic handgrip on the front that makes the small camera body feel incredibly balanced and safe in the hand. The control layout comes very close to the flexibility and immediacy of a DSLR, with two new dials appearing on the top plate to enable full and direct manual control of shutter speed and aperture. Several customisable buttons are also cleverly squeezed on the faceplate and on the rear.
Dialling it in
Another enhancement is an entirely new control system Sony refers to as Tri-Navi or Triple-Dial-Control. It short, it uses the two aforementioned dials in conjunction with the rear navigation dial to give you instant access to three function settings at a time.
In manual and default mode these are aperture, shutter speed and ISO but the three dial system can be customised to easily change the parameters of any of five different settings - Focus, White Balance, D-Range, Creative Style and Picture Effect – through a soft key that lets you cycle through them.
Solid construction and thoughtful layout
It’s certainly a clever design and makes the NEX-7 one of the easiest models to operate in manual and semi-manual modes. Certainly a selling point for any advanced photographer, but it can be quite counterintuitive at first as these physical controls typically change function according to what shooting mode you are in. Sony has tried to make operation more user-friendly by providing a visual on screen guide that illustrates what each dial and button is currently set to do. Even so it takes some playing around before mastering the new control system.
Next page: EVF treatment
It looks like the kind of rangefinder design that professional photographers used to use in the days of film when Leica was the rangefinder of choice. It looks ideal for reportage and discreet shooting being smaller and easier to handle than a DSLR. Stunning design, I have to say.
Jim - is that an educated response or one based on "This is a compact therefore any D-SLR is better"?
Numerous reviews by extremely experienced photographers have stated that the NEX-& is a superior camera to most, if not all, budget D-SLRs and the equal to many of the semi-pro ones available. (The ones it's not the equal of, it generally surpasses).
I'm interested in the NEX-7 myself to replace my LX-3 and to partner my 1Ds II and I'd be interested to hear your reasons why the NEX7 is lacking.
I must admit to strongly suspecting that you are not fully aware of the critical acclaim the NEX-7 has been receiving...
There's a huge amount of snobbishness surrounding Sony cameras.
I have a Sony SLT-A35 and it blows my previous Lumix out of the water, and pisses on my brother's Canon 110D for image quality.
So, Sony aren't a traditional camera company with a long standing history of film camera manufacturer, but Minolta were a traditional camera company with a long standing history of film camera manufacture, and underneath the Sony housing beats the heart of a Minolta...
Re: Sony NEVER learn
Agreed if "the frame rates depend on territory with 60fps in the US" is true its a needless fail. No technical reason I know of that 50/60 Hz should not be a user option and plenty of good reasons why we may want to shoot to 60Hz, not only when we are visiting North America.
@Sony NEVER learn
Surely the frame rate of 50fps in the UK and 60 in the US is less that they hate us pikey Brits and more about flickering seen when videoing under lights that flicker at the countries respective mains power frequencies??