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Sample Shots

Standard HC 80mm f2.8 lens

Hasselblad H4D-40

When zoomed in there's an extraordinary level of detail – check out the beak
Click for a full-resolution image (8.6MB)

Hasselblad H4D-40

White balance isn't always perfect as the white interior of this building highlights
Click for a full-resolution crop

Hasselblad H4D-40

The built-in flash has its uses
Click for a full-resolution crop

Hasselblad H4D-40

Square aspect shooting if you want it
Click for a full-resolution crop

Hasselblad H4D-40

Click for a full-resolution crop

Hasselblad H4D-40

Very short depth of field
Click for a full-resolution crop

Hasselblad H4D-40

Despite its bulk, it delivers as a handheld camera
Click for a full-resolution crop

Next page: Sample Shots

Looking for noise in all the wrong places

This isn't a phtojournalist's camera, therefore, higher ISO is there more or less for show. Camera manufacturers do have e-pen0rz as well, and must wave them mightily in order to attract those who buy it for prestige alone.

Compare the Hassy to the Nikon D3s. The Nikon has absolutely SUPERB noise performance, but compare the tonalities of the two at base ISO, and it'll be like comparing a 1990's MIDI file to a live performance.

Basically, you buy the Hassy for its ability to capture really bloody minute tonal nuances at a staggeringly high resolution under very good lighting, and you buy the Nikon for its ability to focus on and capture a berserk black cat in a coal mine with almost no visible noise.

Therefore, the only noise that matters in the Hasselhoff is that at base ISO - and there's precious little of it.

Testing high-res sensors like these is far more difficult to quantify, therefore, most measurebating sites tend to avoid them. Or penalize them for having loads of noise at high ISO, which is much like penalizing cars for their inability to float across the English channel.

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Pro equipment

That's perfectly true. But sometimes the clients want a higher MP count. Do they need it? Probably not. But they pays their money, they makes their choice.

These MF cameras are really pro - their primary purpose is to generate income for the photographer, and if they generate it by allowing the photographer to say to the client: "40 Megapickles? I can do that," then they do their job perfectly.

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Out of context quote of the day

"...I split the rubber..."

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Hmmm!

"Shiny special edition for the pros"

:) hardly!

If there is a pro who needs one of these cameras they will be buying the basic model. They are in business to make a profit if possible. The SS and Ferrari models are for posers with more money than sense but good on you Hasselblad if there are people who will chuck money your way.

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Moon cameras?

Hasselblad are Chinese owned now. A lot of development of this camera was contracted to Fujifilm.

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