Watching 2D movies in high definition is a great experience with this TV. The Philips image processing technology is highly impressive, delivering spectacular detail and rich, natural colours. Unlike last year’s 21:9 debut TV, this one has locally dimmable LED backlighting, which aids the high contrast levels and delivers deep black colours without lessening the screen’s brightness. And the acreage of the 21:9 screen means there are significantly more of those individually dimmable LED clusters than on a conventional screen. When it comes to local dimming, Philips and Samsung know, perhaps better than anyone, how to make it look great.
Usherette optional... and cheaper
Standard definition content is pretty good, too, though this tends not to be widescreen at all and you’ll want to zoom in a little to be rid of the suddenly-huge black panels at the sides of the image. Still, the Philips image management engine makes it look as good as it could. As for 3D, it looks just dandy, too. Philips' PTA03 active glasses are used and this TV is a 400Hz screen, so the fast refresh rate reduces smeariness. While it’s true that crosstalk – the unsatisfactory ghosting effect common to 3D LCD screens – isn’t completely gone, it is very low.
To my eyes, this is the best 3D quality on the market: the absence of artefacts or jerkiness makes for a smooth, realistic feel to the jumping-out-of-the-TV effect. There’s a great sense of depth of field and the blurry, nausea-inducing feeling found on some 3D sets is absent here. Sound, as often is the case with Philips, is a cut above the dullness of many flatscreen panels, though if you’re keen enough on film to choose the 21:9, you probably have a home cinema system too. And usherettes, maybe.
My, but this TV isn’t cheap. Except, when you factor in all the features, the remarkable aspect ratio and the stand-out picture quality, it sort of is. The picture works well whatever you throw at it but the LED dimming makes widescreen content look really exceptional, aided by the trusty Philips Ambilight effect. The 3D image quality is also stand-out and makes for a highly enjoyable cinema-in-the-living-room experience.
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I'm sorry, I can't take seriously any high-end home cinema review where the reviewer talks in a positive light about zooming the picture to fit the screen. DON'T DO THIS! The bars on the side of the screen are there for a reason and really don't make a difference to the viewing experience.
And besides, for that price you could get a far better projector which throws a picture twice as big, with better colour reproduction and a screen that discreetly hides away instead of overpowering the room when switched off.
Maybe I'm wrong, but
if you can't get films in the 20:9 ratio, then every film you watch on this TV will be stretched, and therefore a imperfect picture?
Explain to me how you would bloat a 1920 pixel wide cinema-scope material to 2560 pixels without loosing some picture quality.
You have pixels XYZ and you need to fit them into four new pixels ABCD.
This TV is a stupid concept. Just buy a bigger 16:9 screen.
I don't need no stinkin' title!
Ambilight is merely there to hide poor black levels in a panel.
Philips can't build a panel with decent black levels so Ambilight is there to fool the eye.
Did the Kuro have Amblight?
Such is the power of the image processing ...
it can easily make content look over-sharp
So it's the usual crap. Works best when you turn it off.