How I saved the Macintosh
After getting the idea from a Clamshell Orgy
Customer Success Testimonial: Recovery is Everything
Memoirs of a Salesman Today, Apple seems unstoppable - its new products dominate their markets or create entirely new ones. But there was a time, 20 years ago, when Apple seemed to have lost everything.
In 1984 I was caught in the middle of all this: I was a sales rep for ComputerLand Los Angeles; the top Macintosh salesman at the largest computer store in the world in Apple's largest metropolitan market.
In the mid-1980s, Apple released the products that defined its distinctive market niche in graphics and print production. Twenty-five years later, the Macintosh is still the mainstay of graphics studios, But it is hard to imagine the modest beginnings of the Macintosh desktop publishing tools. Today's designers would barely recognize the early Mac DTP systems. Nor would they understand the excitement over computerized typesetting and graphics.
In the early 1980s, things were changing in design. Designers had always used a wide array of complex tools to produce handmade artwork with machine precision. Work that would take hours by hand could be done in seconds on a computer. When the first Mac shipped in 1984, designers immediately saw the potential in early products like MacPaint.
In 1985 Apple released the LaserWriter with Adobe PostScript, and Aldus released Pagemaker. This combination of software and hardware was customized for professional typesetting and graphics. The enthusiasm of designers is obvious in this Apple promotional video released that year.
This video spoke to designers in their language. Every graphic artist wanted a Mac and a LaserWriter. But the cost was staggering. A basic Mac with Pagemaker would cost around $3500. The LaserWriter cost $6995 - adjusted for inflation, that is about $21,000 in today's dollars.
My corporate customers started buying Mac DTP systems to replace typesetting systems that cost hundreds of thousands of dollars. But few individual designers could afford them. I still remember one designer breaking down into tears when told that her $10,000 credit application was declined.
But many designers could afford a Mac without the printer. Graphics "service bureaus" would print your designs on a LaserWriter for 25 cents a page, $2.50 for ultra-high resolution film on a Linotronic imagesetter. Now the print quality of a major publishing house was within the price range of almost any designer.

Apple even had an advantage it didn't realize. Apple hardware engineers were notorious for sneaking in hidden features that nobody noticed - or approved of. One of those features was AppleTalk networking.
The LaserWriter was designed to work over a simple network using telephone cables. An entire office could share a LaserWriter, spreading its cost over a whole office full of Macs. Hewlett-Packard's first LaserJet printers, meanwhile, could only attach to one computer. The networked LaserJets weren't introduced until later.
Next page: The Shootout
COMMENTS
So.....
How did you save the mac?
You gave a good presentation that they converted into a failed marketing campaign?
Doesn't matter, Mr. E!
That was a damn fine article!
I'm not a Mac fan per se(1), but that got me to think about where I was and what was going on at the time - no need for details but it was enlightening to say the least. Most of these folks here now are just too smart for the rest of us from back in the day - silly bastards! lol. They'd all die without their internet-based tech - First-Wavers I call 'em.
Don't let them get to you, they don't count!
(1)I secretly desire an iPad - the wifi version for dinking around with and using as a kindle - just cannot justify the price to the little wife (who has extraordinary power over my tech purchases it seems....)
Saving Apple
We didn't lose Disney, they still bought millions of dollars worth of Macs. But they started shifting slowly towards PCs, and Macs were harder to justify. Still, with the expanding computer market, they never bought fewer Macs than before.
I think the main theme is that I was trying to save Apple from itself. Mac users and sales reps tended to know how to market the Mac better than Apple did. It is hard to realize the impact of the abysmal years just after Jobs was ousted, when the financial type people started running the show. Apple could easily have died off, but once I helped establish it into major accounts, it would never die out. And it did face that risk in the late 1980s and early 1990s.

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