Philips reckons you'll get 27 hours from a full charge of the Spark's larger than average 320mAh power pack and though we only got 25 that's still not a half bad number and twice what you could expect from an iPod Shuffle or Sansa Clip.
Two admittedly minor niggles with the Spark are that every time you switch it on it updates the media library. This only took about ten seconds with just under 900MB of data on board, but we suspect it could become a little tiresome if you had the 8GB model loaded to the gunwales with music.
Show album art or your own pics
Our other concern centres on the music scan facility. While this ramps up smoothly and swiftly to the two-minute mark, after that it zooms off at a ludicrous speed rather than maintain a steady rate of x10 or x20. So if you want to scan through a long track – Dire Strait's 14m 22s Telegraph Road, for example – you have to do it in jumps of under two minutes or you suddenly end up at the start of the next track in the library.
Unlike the Shuffle or Clip, the Spark doesn't have an integrated clip, but you do get a rather fine silicone rubber sheath that has an belt loop attachment.
The most basic GoGear Spark – 2GB without an FM radio - will set you back around £39. That's about the same price as the 2GB Sansa Clip, which has a far less appealing screen and a much lower battery life. The 4GB version comes in at £50, a tenner less than the equivalent iPod Shuffle, which doesn't have any screen at all, doesn't sound as good and - in its latest iteration - has daft controls.
Philips says the 2GB FM-equipped Spark will retail for around £45, while the 4GB unit with FM radio will sell for £55. Come May, an 8GB version will show up costing £60 without FM tuner and, presumably, £65 with.
The Spark is Philips most convincing portable music player for quite some time. The sound is above par for the price bracket, the battery life is excellent and the device itself is easy and pleasant to use. If you're looking for a decent MP3 player for around £50 and aren't worried by a lack of Flac or Ogg support then you could do a lot worse. ®
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Philips GoGear Spark MP3 player
OK, but costs twice as much as 2 GB Sansa Clip
> The ... GoGear Spark... will set you back around £39. That's about the same price as the 2GB Sansa Clip, which has a far less appealing screen and a much lower battery life.
Uhm, no. I'm this very minute tempted by the Sansa Clip for a little less than £18 incl. p&p on dvd.co.uk. So while I agree that the GoGear Spark sounds nicer, it also appears to cost more than twice as much.
Re: No Bass and Treble?
Yes, the letters are as identified. However, a traditional bass/treble control on audio equipment does not work in the same way as a graphic equaliser such as on this player.
A non-parametric graphic equaliser such as this has fixed frequency bands, and you can adjust the level of sounds within those bands. It's dead easy to add to an mp3 player because the data is already divided into frequency bands, so on playback the player just accentuates some of them as appropriate before reconstructing the sound.
In contrast, a traditional bass/treble control operates at a fixed boost level, but with the frequency bands affected able to be adjusted. When you "turn up the bass", you extend the frequency band towards the mid-ranges, so a wider range of low frequencies are boosted by that fixed amount. Similarly for the treble, from the high frequencies downwards. Computationally, this is a bit harder work for an mp3 player, and probably no better than a decent graphic equaliser anyway, so is not so common a feature.
Re: Gapless Playback
Good explanation, and good summary - thanks. Being an exclusively LAME devotee, I am used to (nay complacent about) this superior facility. Shame most players don't use it if they can.
No Bass and Treble?
Silly me, and I thought those letters on the EQ meant Bass, Lows, Mids, Highs and Treble...
Looks like a good cheap PMP, I might get one for the missus. Thanks for the review.
@David Gosnell - Gapless Playback
There's a very good explanation of it here:
There is a lot that the player has to do before audio comes out of it at the beginning of a file, but more fundamentally, the files are composed of fixed-length packets so the last one is likely to contain some silence. Unless the file indicates where the audio actually ends, you have to play this silence or attempt to guess its extent. Ogg Vorbis and FLAC contain metadata to indicate exactly where the audio ends, as do MP3s encoded with LAME, but standard MP3s do not.