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Philips GoGear Spark

Philips GoGear Spark MP3 player

The ideal iPod Shuffle antidote

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Review We've not looked at any of Philips' GoGear media players before, so the arrival of the new Spark seemed like a good opportunity a poke one with Reg Hardware's metaphorical sharp stick.

Philips GoGear Spark

Philips' GoGear Spark: nice and smooth

The basic design of the Spark is a little reminiscent of iRiver's Lplayer, with the navigation controls being operated by pressing down on one of the four sides of the screen. The obvious benefit of this layout is that the screen – in this case a colour 1.46in, 128 x 128 OLED – can take up a substantial percentage of the device's frontal area so maximizing the screen-size to player-size ratio.

Philips doesn't quote a weight for the Spark, but in the hand it feels about the same as a SanDisk Sansa Clip, so we'd take a wild guess at about 25g. At 41 x 41 x 15mm it's a wee bit larger than the Clip, but then it has a much larger – and better – screen. The smooth and beveled design should ensure that snagging won't be an issue. It's a nice looking device too, with the silver screen bezel contrasting nicely with the black plastic body.

Around the periphery of the device you'll find a mini USB port, 3.5mm headphone jack, on/off/lock slider, volume control and menu options control. All other commands are issued by pushing down on the screen, an on-screen icon letting you know what each press will do in any given circumstance.

The Spark's menu layout is a model of common sense. Pressing the top or bottom of the screen lets you scroll through Music, Pictures, Recordings, Folder View, Personalize, Settings and Last Played/Now Playing. Simply push the right-hand side of the screen to move down a level or activate a function or push the left to move back. The screen press is nicely weighted with just the right amount of 'click', making for a pleasant tactile experience.

During playback, the screen can be set to show the relevant album art as background or you can dig about in the personalisation menu and set it to display a photo from your collection, which is a nice touch. Various plain colour backgrounds are also available if you just want to read the on-screen track information and are not concerned about pictures.

Philips GoGear Spark

Controlled with screen-bezel clicks

The Spark comes fitted with something called "FullSound", Philip's latest take on sound modification technology and designed to make compressed audio files sound less like – you guessed it - compressed audio files.

After listening to a few albums, it became quite clear to us that FullSound is really rather good, giving a feeling of warmth and depth all too often lacking from cheaper media players such as the budget USB players from Samsung and Sony that we looked at recently.

Latest Comments
Anonymous Coward

OK, but costs twice as much as 2 GB Sansa Clip

> The ... GoGear Spark... will set you back around £39. That's about the same price as the 2GB Sansa Clip, which has a far less appealing screen and a much lower battery life.

Uhm, no. I'm this very minute tempted by the Sansa Clip for a little less than £18 incl. p&p on dvd.co.uk. So while I agree that the GoGear Spark sounds nicer, it also appears to cost more than twice as much.

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Re: No Bass and Treble?

Yes, the letters are as identified. However, a traditional bass/treble control on audio equipment does not work in the same way as a graphic equaliser such as on this player.

A non-parametric graphic equaliser such as this has fixed frequency bands, and you can adjust the level of sounds within those bands. It's dead easy to add to an mp3 player because the data is already divided into frequency bands, so on playback the player just accentuates some of them as appropriate before reconstructing the sound.

In contrast, a traditional bass/treble control operates at a fixed boost level, but with the frequency bands affected able to be adjusted. When you "turn up the bass", you extend the frequency band towards the mid-ranges, so a wider range of low frequencies are boosted by that fixed amount. Similarly for the treble, from the high frequencies downwards. Computationally, this is a bit harder work for an mp3 player, and probably no better than a decent graphic equaliser anyway, so is not so common a feature.

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Re: Gapless Playback

Good explanation, and good summary - thanks. Being an exclusively LAME devotee, I am used to (nay complacent about) this superior facility. Shame most players don't use it if they can.

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No Bass and Treble?

Silly me, and I thought those letters on the EQ meant Bass, Lows, Mids, Highs and Treble...

Looks like a good cheap PMP, I might get one for the missus. Thanks for the review.

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Anonymous Coward

@David Gosnell - Gapless Playback

There's a very good explanation of it here:

http://forums.sandisk.com/sansa/board/message?board.id=sansafuse&view=by_date_ascending&message.id=18951#M18951

There is a lot that the player has to do before audio comes out of it at the beginning of a file, but more fundamentally, the files are composed of fixed-length packets so the last one is likely to contain some silence. Unless the file indicates where the audio actually ends, you have to play this silence or attempt to guess its extent. Ogg Vorbis and FLAC contain metadata to indicate exactly where the audio ends, as do MP3s encoded with LAME, but standard MP3s do not.

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